Vanessa Wagner, Pascal Dusapin, None – Dusapin: Etudes for Piano Nos – Music. 15 déc. Pascal Dusapin fait ses études d’arts plastiques et de sciences, arts et esthétique à l’Université de Paris-Sorbonne. Entre et il suit. Dusapin (b. ), a former student of Messiaen and Xenakis, is among the leading French composers, with a large output in an attractive style.
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The aim is to create an all-encompassing work expressing the close relationship between the artist’s output in both genres.
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Pascal Dusapin: Etudes pour Piano [2CD+Book]
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There’s a problem loading this menu right now. At the same time, however, the pieces go about achieving these goals in two very different ways. Share your thoughts with other customers. His music is marked by its microtonality, tension, and energy. In these deluxe sets, music is paired with photography to explore the synergies between the two art forms. While Dusapin’s studies with these composers formed a foundation for his compositional studies—particularly for his understanding of sound masses—he developed his own musical language.
Alexa Actionable Analytics for the Web. Since no one was offering me commissions to produce longer symphonic forms I decided to bide my time.
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If you are a seller for this product, would you like to suggest updates through seller support? He dueapin repetition and rejects stability and redundancy in music, which is yet another distinguishing feature of his music. This page was last edited on 26 Novemberat The flute plays without stop for ten minutes, always pushing against the orchestra and ultimately coming out on top. Dusapin’s music is also marked by its microtonality, which is often achieved through the integration of micro-glissandi and micro-intervals intervals of less than one semitone.
Irzenski’s text is taken from fragments of Latin literary works and does not necessarily follow the chronology of the Greek myth of Niobe. Entretiens avec des compositeursed. In fact, the intensity is such that Dusapin consciously makes pieces like Musique captive have short durations in this case, three minutesfor by their ends the musicians and listeners alike are completely exhausted. Seen and Heard International”. Shopbop Designer Fashion Brands. Febrile Music”, Contemporary Music Review 8, no.
Amazon Inspire Digital Educational Resources. Have one to sell? Musique fugitiveon the other hand, achieves its instability through musical “ruptures. Many of the characteristics discussed above are especially dusapkn in Dusapin’s earlier works, especially those from the s.
Perhaps the most prominent and unique element of Dusapin’s music is its built-in tension, energy, and sense of movement. Retrieved 22 September Learn more about Amazon Prime. Would you like to tell us about a lower price? His next major project was the large-scale orchestral cycle Seven Solos for Orchestra composed between and Indeed, in his article on Dusapin, Julian Anderson cites the “enclosing tensions” and “explosive flight” as the two extremes of Dusapin’s early music and claims that these idioms are what make the composer’s music so highly individual.
Two of Dusapin’s earlier works composed dtudes the same year, Musique captive and Musique fugitivemight be studied together in that they are both unstable and aim to avoid any sort of repetition.
Dusapin has composed solo, chamber, orchestral, vocal, and choral works, as well as several operas, and has been honored with numerous prizes and awards. His music is full of “romantic duspain,  and he rejects the use of electronics, percussion other than timpani, and, up until the late s, piano. This set is unusual in that both the music and the photography are produced by one person, the composer Pascal Dusapin. Get to Know Us. Beginning in the next decade, Dusapin’s work moved more and more toward greater harmonic and melodic simplicity.
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Pascal Dusapin – Wikipedia
The instrumentation of Dusapin’s music is often duspain upon available players, and during the s and s, he often wrote for ettudes Ensemble Accroche Note,  a Strasbourg-based new music group founded by a singer and clarinetist. Terms and conditions apply. In the early s I wanted to get away from the running times of between ten and twenty minutes that are invariably associated with commissions for orchestra. Views Read Edit View history. Brian Morton and Pamela Collins Chicago: Until recently, Dusapin also rejected the use of keyboard instruments, despite the fact that he plays the organ  and jazz piano.
Retrieved from ” https: Share Facebook Twitter Pinterest. His melodies have a vocal quality,  even in purely instrumental works. The first piece opens with solo cello, which “spreads through” and “absorbs” the whole orchestra, as water would do. A concerto for flute and orchestra, the work begins with the flute being just barely audible over the orchestra, but it gradually pushes its way through the orchestral texture until it is the prominent voice of the work.